暂无剧情简介

暂无剧情简介

Noah The New Year 2023 was a professional wrestling event promoted by CyberFight's sub-brand Pro Wrestling Noah. It took place on Janaury 1, 2023, in Tokyo, Japan, at the Nippon Budokan. The event aired on CyberAgent's AbemaTV online linear television service and CyberFight's streaming service Wrestle Universe. The show's main event portraited the final Noah appearance of The Great Muta as he faced WWE's Shinsuke Nakamura.

A businessman (Prathapachandran) gets murdered by his driver. His daughter Rekha (Urvashi) is married to Vinod (Suresh Gopi) who is more interested in taking over the business than taking care of his wife. Rekha's erstwhile boyfriend Ajith (Jayaram) who's now in the army is more sympathetic to her, but Vinod gets suspicious about their relationship.

A group of old friends gather for a girls’ night on New Years Eve. But as they begin to rehash old memories, many of the gripes they’ve been harboring manifest in murderous ways.

TWICE REALITY “TIME TO TWICE” TWICE New Year 2023

TWICE真人秀节目《TIME TO TWICE》之TWICE 2023新年特辑

Six would-be thieves enter a prestigious dance competition as a cover for their larger goal of pulling off a major heist.

It is an anthology film based on of five different life stories. A slice of lives of a few people all culminating on new year's eve.

In Happy New Year, Jinjoon Lee juxtaposes the joy of New Year celebrations with the harsh realities of war and disasters. Combining digital utopias with classical art forms, the installation calls for reflection on the tension between illusion, apathy and our shared reality. 　　Jinjoon Lee’s Happy New Year is an interactive art installation that juxtaposes the festive beginning of a new year with the harsh realities of war, disasters and climate crises. Using a game engine, Lee creates a seemingly utopian landscape, reminiscent of the positive worlds created by artificial intelligence. These serene images show how technology can blind us to urgent and uncomfortable truths, alienating us from current tragedies. 　　Lee combines contemporary technology with traditional art forms such as Korean Chaekgeori (still life paintings of books and objects), Western ‘wonder rooms’ and the Buddhist Wheel of Reincarnation, where heaven and hell and life and death constantly alternate. These references give this fictional world deeper meaning, one in which beauty and decay go hand in hand. With Happy New Year, Lee invites us to reflect on the contradictions of our existence: the longing for utopias versus harsh reality, and the apathy that arises when we ignore that reality.